It’s disguised itself as a trashy, fun exploitation flick but Black Snake Moan is credible morality tale about damaged people helping and healing each other. I’m not saying it isn’t also trashy exploitation pic, Christina Ricci does after all, spend most of the movie half-naked and chained to an elderly blues man’s heater. What Writer/Director Craig Brewer has done is layer in all that deeper stuff, the kind of material usually reserved only for courting Oscars, beneath the giddy, guilty pleasures of a down and dirty Southern Gothic veneer.
It starts when god-fearing bluesman Lazarus finds (Samuel L. Jackson) a half-naked, whored-up party girl (Christina Ricci) lying in the road by his driveway. He carries the beaten up, high, and unconscious hottie into his house, nurses her back to physical health, and soon decides the writhing, sexed-up, drugged out girl’s mental health is his responsibility as well. Laz takes the whole southern hospitality thing a little too far, chains the girl (who he finds out is named Rae) to a radiator and when she wakes up tells her she’s staying until he cures her sickness.
Except Rae isn’t the only one with a sickness in Black Snake Moan. Hers is only the most obvious. She sticks everything she can find up her nose, drops her pants for every man she sees, and her awakening starts only when she encounters Lazarus, one of the few men to spurn her advances. Lazarus has a different kind of sickness. Dumped by the wife for whom he sold his heart, his soul, and his music to make her happy, Lazarus sees in Rae something of what he’s been missing.
Black Snake Moan is smart and soulful but it’s also red hot. The movie burns with the sweaty heat of the deep, deep south. It’s not afraid of sex, nudity, and smoldering, immorality. The film also knows a thing or two about beautiful, bad ass cursing. Fuck flies out of Sam Jackson’s mouth better than it does from just about anyone; when he says the word it’s poetry. Brewer’s movie uses his talent for vulgar language to full effect. His character is an instantly iconic southern figure, an elderly, hardened farmer who loves god, dirty music, and foul language in almost equal measure. This is Sam’s best role since Pulp Fiction, it’s the kind of part I’d always imagined him playing after working for Tarantino, it’s just taken a while for it to happen.
What really surprised me about Black Snake is how flat out funny it is. Not because the movie cracks a lot of jokes, it doesn’t. The laughs just happen, whether from shock over where the story goes or from simple release of tension. They’re part of the mix that makes it work, but the real unifying force of the film is the music. Soulful, down and dirty blues grinding its way through the movie as the soundtrack of Laz’s life. It’s sweet sound that stitches the film together.
Brewer’s movie is not without minor flaws, but it erases them by being completely unique. You’ve never seen anything like it, and I can’t imagine anyone duplicating it. The film is sex and soul in equal measures; sensationalism and bad taste harnessed for noble purpose. In a strange twist of irony, Black Snake Moan also seems to have something to good to say about religion. That’s ironic, since none of the hardcore religious zealots who spend so much time complaining about how their faith is portrayed is ever likely to see it. You can’t enjoy its moral message without the eroticism, so if you’ve got a problem with kink consider chaining your morals to your car and leaving them at the door. The movie’s a big bomb of sensuality and southern grit. Brewer seems to relish mucking around in genres that other respectable filmmakers wouldn’t dare touch. His last movie, Hustle & Flow, was about a sympathetic pimp. This one is about a white woman finding freedom by letting a black man chain her to his radiator. I can’t wait to see what he does next.
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Jackson was the father she never had and she was the daughter he never had. The healed each other. They were both able to move on with their respective lives which had been arrested by previous trauma. The acting was very good and Jackson was superb. I enjoyed it. Better than most stuff that is pumped out of h'wood.
I just watched this wonderful masterpiece.
A deep story about real people, real lives...
This movie wasn't about sex or religion...
This is an amazing story of kindness,
selflessness, love and suffering.
Every night we all watch in amazement American movies,
news, TV show, so much hate and violence, blood, rape.
I just want to walk away and throw up... I know you all
"enjoy" the same shows, movies and news, yet, you complain
about a movie that tell the truth in the most sincere,
deep, honest way... It's really hard for me to understand
how you see this amazing film about sex, religion, race
or anything else. try watching this movie again, I highly
recommend this heartfelt feel good film.
Josh, this is number 2 "religious" person "blessed" by the movie. Anyhow, I could find SEVERAL seminarians who would watch this film. Generalizing "religious" people by presumptuously excluding them as viewers of this movie is like generalizing the movie as a raunchy, racey sex sex and exploitation thriller without giving yourself the chance to watch it first.
Anyway, no offense though :)
It was a great movie. I am glad the producers didn't sell it with Timberlake. I was suprised to see him, aprehensive at first, but he is a great actor. Come on, he acted and sang at the same time first before he ever sang exclusively.
Christina Ricci, no suprise, incredible actress.
Sammuel: although he is not a diverse actor, the kind of role he portrayed in this film was very appropriate and I enjoyed his performance. Stick with what you know, Sam.
His singing was mediocre, and I dont know much about the Blues, but I believe a mediocre singing voice has nothing to do with the amount of soul someone illustrates in a blues performance.
i saw this at my local video store-intrigued but had to pass it up due to its obvious tone.this looks hot(trashy white girl half naked and chained)-to an old black mans heater(and the title-i mean cmon guys) i hope trey and matt pick this one up...
Haven't seen the movie but plan to. I'm a little bemused by the writers(s) who assume Christians won't see this movie. Quite the contrary. Yes, I'm highly offended by vulgar language, casual or exploitative sexuality, brutality, violence and the like, and there was a time when viritually ALL decent people were offended by it. Hollywood is more guilty than any of desensitizing our culture to denegration in the name of "art". But as long as movies don't ENDORSE sinful behavior or lifestyles and instead use the "darkness" as a backdrop for the "light" - all I can say is AMEN. Speaking for myself and most Evangelicals I know, we're THRILLED when it seems like the impossible might happen... a hip, artsy film that actually portrays Christian principles and values as admirable. Most Believers are not the arrogant, ignorant, narrow-minded, self-righteous zealots that so many secularists presume us to be. In fact, the adjectives I just used to describe our image are better suited to those who lump us all together as such. Christianity is all about bringing light (the love of Christ) to a dark and hurting world. Sounds like that's what Laz may be trying to do for Rae, so I'm in.
j9, the point of these movies is to open your eyes. You aren't paying attention to the movie and its points and values, your hand is too far stuck up your butt. They did NOT have the same problems they started out with. Rae was getting better, as you could see at the end when she grabbed her golden waist chain. She found faith and something to believe in and a strength because of Laz. As for Ronnie, she was his rock in the last scene helping him get through his problems. They ultimately found what they needed to, but it takes time for progression. If they would have been instantly been cured the movie would have sucked. Because of Rae, Laz found that pharmacy chick and they were all on the right track. Their was a quote in the movie from the preacher and how heaven shoudn't be looked at as a final destination. Like, you can't do a bunch of wrong things in your life and then say your sorry and expect it to work out. You have to stay on the right path in life and make the most of it to truly get to where you were meant to be. They all finally got on better paths to becoming better human beings.
I found the movie weird. I do not understand why he believed he had the right to change anyone and especially in the manner that he chose. In the end she and Ronnie had the same problems they started out with. No matter his intentions, he should of been arrested and sentenced to jail time. She should have been admitted to a hospital for a disease, and her boyfriend should have checked himself into the mental ward and the preacher should have had his license revoked. There was nothing healthy about this movie, and Lazs religion was a sure sign that he lacked a relationship with Christ.
Ugly movie. Didn't know Samuel Jackson could sing and now I know he can't. Story is a bit off the wall and the scenes were close to high school thespian quality. In reality, ole Sam would be behind bars for abusing a whore in chains. Justin Timberlake needs to stick to singing. Artistry this wasn't.
I saw this movie today and thought well it was not the worst but it left so much unanswered, for instance what ever happened to the guy that beat up Rae and who decided to make Justin Timberlake a weak mamas boy who cried through out the entire moive? I am not sorry I watched it, but I may not watch again. For the message it was trying to portray it was good, I just thought it was slow for to long and then went into hyper speed near the end to finish the movie on time....that sucked.
I thought the movie was excellent in the way that it wove a number of complex themes. Race, Sex, Religion, in a small town in the South, is an incendiary mix. As a Southern Black male; I know of what I speak. My only complaint is that more authentic blues music should have been used. The Son House film clip, however, did a great job in setting the tone for this morality play. The Blues strips away all the veneer and pretense of everyday life.
Funny that you mention the idea that this film has something positive to say about religion, but that it's unlikely religious folks will see it.
I am, in fact, both a film critic and a minister in seminary. I have given this film a 4-star rating, just shy of my highest rating. I thought it beautifully portrayed virtually every aspect of the story and did a marvelous job with Christianity. The preacher in this film is a TRUE preacher (along the lines of Duvall's marvelous preacher from "The Apostle").
So, here's one...one "religious" person who saw this film and absolutely loved it for the authentic way in which it dealt with its characters, its story and its spirit.
Well, it is an exploitation movie M. Page. That's kind of the point.
But really, the whole relationship between Laz and Rae is so much more complicated than that.
Just because it happens in a movie doesn't mean it's ok. We watch serial killer movies... and I think everyone knows serial killing isn't ok. Just because it's in a movie isn't an endorsement of it. Don't be silly.
I realize that some people will wax poetic over this movie, but ask yourself how you would feel if a black man(half naked) were chained to a radiator..for his own good ..of course.I guess exploiting young women is A-ok.
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