Carrie Screenwriter Hired For Rupert Wyatt's Adaptation Of Thriller Night Film

It has been many months since we last heard about Chermin Entertainment’s planned adaptation of Marisha Pessl’s thriller novel Night Film, and I was starting to worry that nothing was happening with it. Deadline has buoyed my spirits by reporting a screenwriter has been hired for the project, and it’s Roberto Aguirre-Sacasa, whose first feature credit will come next month when Kimberly Pierce’s remake of Carrie hits theaters. I really, really want to hope that script comes out as more than just a haphazard carbon copy of Brian De Palma’s original film. I’m telekinetically crossing all of your fingers.

Night Film is set to be directed by Rupert Wyatt, who pleased audiences with the Brian Cox-led crime drama The Escapist, and the surprisingly awesome “James Franco plays with monkeys” thriller Rise of the Planet of the Apes. For both of those films, he worked with screenwriters who only had one or two films produced, and turned both of those scripts into something memorable. It stands to reason he’s a good fit for any screenwriter, so the scary ball is in Aguirre-Sacasa’s horror court, or something.

Night Film, which was just published on August 20 by Random House, centers on an investigative journalist named Scott McGrath who probes into the suicide of a young woman because he thinks someone else was at fault for her death. It turns out her father is a reclusive horror filmmaker who hasn’t been seen in thirty years, and that somehow leads McGrath to think that the daughter’s murder was in revenge. I haven’t read it yet, though I cannot wait, as Pessl’s debut was 2006’s masterpiece Special Topics in Calamity Physics.

I don't dare have doubt in Aguirre-Sacasa, who already has one of the more interesting resumes out there, moving onto Carrie after writing episodes of Glee and Big Love. He’s also penned the Ryan Murphy-produced remake of The Town That Dreaded Sunshine from director Alfonso Gomez-Rejon. He’s also writing the potential Archie feature based on the comics. His work doesn’t just end in film and TV though, as he was one of the writers who turned the musical Spider-Man Turn Off the Dark from a huge punchline to a more successful punchline. He also wrote the book for the Broadway transfer of Steven Soderbergh’s Magic Mike. It seems like all that’s left for him to do is release a popular, high-selling album, and the EGOT is surely his.

It’ll probably be a while before this one hits the production stage, so in the meantime, go check out Carrie on October 18 and tell me how it is, since I’ll probably be at home not watching it. Here’s the preview.

Nick Venable
Assistant Managing Editor

Nick is a Cajun Country native and an Assistant Managing Editor with a focus on TV and features. His humble origin story with CinemaBlend began all the way back in the pre-streaming era, circa 2009, as a freelancing DVD reviewer and TV recapper.  Nick leapfrogged over to the small screen to cover more and more television news and interviews, eventually taking over the section for the current era and covering topics like Yellowstone, The Walking Dead and horror. Born in Louisiana and currently living in Texas — Who Dat Nation over America’s Team all day, all night — Nick spent several years in the hospitality industry, and also worked as a 911 operator. If you ever happened to hear his music or read his comics/short stories, you have his sympathy.