‘The Hype Is Real.’ Critics Have Seen One Battle After Another, And They Have Strong Opinions About Leonardo DiCaprio’s New Action Thriller

This propulsive, hilarious, and overwhelmingly tender paranoid comedy-thriller car chase blockbuster whatever doesn’t just stare a broken country in the face with its already prescient tale of immigrant detention centers, white nationalist caricatures, and bullshit pretenses for deploying the military into sanctuary cities. It’s also the first movie of its size to accurately crystallize how fucking anxious it feels to be alive right now — to capture the IMAX cartoonishness of our reality and provide a convincing roadmap as to how we might survive it.

The hype is real. There are sequences here so fluid and lucid—so controlled in terms of composition, cutting, and the hurtling, all-in sensation theorized by film scholar David Bordwell as ‘intensified continuity’—that remaining skeptics may feel obliged to bend the knee. The messaging is basically: Start polishing that overdue Best Director Oscar now or don’t give it out at all.

One Battle After Another is the rare American film released in these benighted times of ours — with the backing of a major studio, no less — to be clear and insistent in the target of its anger, its despair and its prescriptions for what might make things better. Anderson does not operate with blinkered hope; his movie pays sober reverence to the brutal losses suffered already and to those inevitably to come. But he insists, in his film’s glorious and just-shy-of-corny final seconds, that there is still something like a future out there, past the smoke and ruin, worth struggling toward, inch by agonizing inch. The title of the film could be read as an exhausted lament. It could be a rallying cry, too.

The surprise of One Battle After Another is that while it speaks with a big vision to the danger and anxiety of our moment, it’s also a drama that’s totally grounded and relatable. There’s a thematic heft to it, and the movie is often quite funny in a sidelong way, but it’s not some in-your-face didactic absurdist thing. One Battle After Another is a vision of a society in captivity, but it’s a movie that never loses the pulse of its humanity.

Anderson’s phenomenal screenplay is a timeless story of resistance, one that playfully weaves together influences as broad-reaching as the true story of Weather Underground and cinematic depictions of rebellion, but it’s also a remarkably propulsive, fun, and eventually moving piece of work about the human beings caught up in the chaotic machine. It’s a live wire that drops in the first scene, setting off sparks for the next 162 minutes.